Tucked into a bend of the Alabama River, cut off from the surrounding world by geography as much as by history, Gee’s Bend is a small, tight-knit community that has spent generations turning scraps of fabric into some of the most celebrated art in America.
Its quiltmakers didn’t set out to make museum pieces; they were making bedcovers for their families out of whatever cloth was on hand: worn work clothes, denim, feed sacks, remnants. But out of that necessity came a visual language all their own: bold, improvisational, geometric, and alive. Passed from grandmother to mother to daughter, their traditions have survived isolation, poverty, and the passage of a century, and it’s now the subject of Ralph Lauren’s latest Artist in Residence collaboration.

(Ralph Lauren/Contributed)
For Claudia Pettway Charley, a fourth-generation Gee’s Bend quiltmaker, the tradition is inseparable from the place itself. “This community means everything to me,” she told SoulGrown. “Gee’s Bend is a place of family, strength, and resilience. And it’s important to keep the Gee’s Bend quilting tradition alive. My daughter is a fifth-generation quilter, and I want this tradition to continue for her and for the generations coming after her.” That sense of continuity, of a craft handed down as an act of love and survival, is really what this collaboration is about.
Charley’s own quilts are colorful and intuitive, evolving piece by piece the way a living thing might, shaped by instinct more than by pattern. She grew up surrounded by master textile artists in her own family, absorbing the craft before she ever consciously learned it. Working alongside her is Loretta Pettway Bennett, whose quilts are now held in museum collections around the world. Bennett’s pieces are graphic and striking, built from denim, worn clothing, and fabric remnants that most people would throw away—transformed instead into powerful statements about family and resilience. She learned to quilt the same way Charley did: not as a lesson, but as simply part of growing up in Gee’s Bend.
Both women described the partnership as something neither fully expected to be part of. “Working with Ralph Lauren was a collaborative process, and they gave us the freedom to create as we always have, in the Gee’s Bend way,” Bennett said. “I hope each piece conveys the time, care, and love behind them and gives a little taste of the Gee’s Bend experience.” Charley put it more simply: “Coming from a small rural community in Alabama, I never imagined I would be sitting at the table talking about a project with Ralph Lauren. This collaboration showed me that people from communities like Gee’s Bend can dream big and see those dreams become a reality.”

(Ralph Lauren/Contributed)
That respect for the source runs through how Ralph Lauren has framed the collection. Rather than simply borrowing the look of a Gee’s Bend quilt, the brand worked directly with its artisans, translating their patterns, colors, and hand-worked textures into a range of clothing and home pieces: a Polo Ralph Lauren jacket and tote bag patterned after quilt geometry, coverlets and throw pillows in true blue and chambray multi, and mugs and plates that carry the same visual thread through the table. The collection is built to honor a living heritage rather than package a moment of it.
The community’s imprint on the collaboration extends beyond design credit. From July 2026 through July 2028, Ralph Lauren is donating five percent of net retail sales from the collection to the Equal Justice Initiative, directed toward hunger-relief programming for low-income families in Alabama—a way of channeling the partnership’s success back toward the region that made it possible.
More than anything, this is a craft that exists because a community refused to let it disappear, quilt by quilt, generation by generation. Charley’s hope is that her daughter, a fifth-generation quilter, can carry the tradition forward.
The full Ralph Lauren x Gee’s Bend collection is available now at ralphlauren.com.
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